TRANSFORM THE NARRATOR AND POINT OF VIEW FROM THE SHORT STORY “PEOPLE AT THE CHAU RIVER WHARF” TO THE FILM ADAPTATION “THE RETURNEE”

Le H.N.P.

Le Ha Ngoc Pham - Postgraduate,

MAJORING IN CINEMA AND TELEVISION THEORY AND CRITICISM,

HANOI ACADEMY OF THEATRE AND CINEMA,

Officer,

PROPAGANDA DEPARTMENT, GENERAL DEPARTMENT

OF POLITICS OF VIETNAM PEOPLE'S ARMY,

HANOI, SOCIALIST REPUBLIC OF VIETNAM

Abstract: The term “narratology” is no longer strange to scientific researchers, especially in literary research and recently cinema. However, to use this method as an effective tool to analyze and “dissect” each cell of the film depends on the purpose, method, intention, and scope of the research. Like literature, cinema also belongs to the narrative genre, in which the narrator, point of view, and storytelling are always used for creative directors as well as researchers to analyze in depth the artistic world of artwork.               In this article, we experiment with applying narratological theory to discuss the transformation of elements of narrative structure such as the narrator and point of view from the original literary work - the short story “People at the Chau River Wharf” to the film adaptation “The Returnee”, thereby emphasizing the position and role of this scientific subject in film studies.

Keywords: Narratology, cinematic narration, narrator, point of view, space-time.

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Le H.N.P. TRANSFORM THE NARRATOR AND POINT OF VIEW FROM THE SHORT STORY “PEOPLE AT THE CHAU RIVER WHARF” TO THE FILM ADAPTATION “THE RETURNEE” // Наука, образование и культура -  № 2(68), 2024 {см. журнал}